In the landscape, a mother and child pair in the foreground
and another in the background are merely a pretext for drawing the diagonal
line that structures the painting. Two separate colour zones are established,
one dominated by red, the other by a bluish green. The young woman with the
sunshade and the child in the foreground are probably the artist’s wife,
Camille, and their son Jean…
György Németh, Pharmacist, Writer, Visual Artist, Founder of Szingy Gallery Budapest and Szingy Books, Author of the Szigetingy Philosophy | Németh György gyógyszerész, író, vizuális művész, a Szingy Galéria Budapest és a Szingy Könyvek alapítója, a Szigetingy Filozófia szerzője
2016. április 4., hétfő
Poppies
Claude Monet (1840-1926): Coquelicots, La promenade (Poppies),
1873 (Musée d'Orsay, Paris) - Now one of the world’s most famous paintings, it
conjures up the vibrant atmosphere of a stroll through the fields on a summer’s
day. Monet diluted the contours and constructed a colourful rhythm with blobs
of paint starting from a sprinkling of poppies. The disproportionately large
patches in the foreground indicate the primacy he put on visual impression. A
step towards abstraction had been taken.
Feliratkozás:
Megjegyzések küldése (Atom)

Nincsenek megjegyzések:
Megjegyzés küldése