Eran Bugge and Michael Trusnovec in Esplanade, Paul Taylor’s American Modern Dance, March 2017. - For all Esplanade’s wit and charm, it is suffused with yearning. The second movement is an elegiac lament and the fourth aches with tenderness, opening with two couples, each woman cradled in the arms of their partner. Even in the brisk movements, dancers lightly touch one another, as if to say “play with me, please.” Desire borders on devotion for both sexes: a man supine on the ground, props a woman up on his stomach, and promenades her like a music box ballerina. - NégyArt (Szingy Books)
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